King Raul of Ravenna: the story of Raul Gardini

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Raul Gardini is remembered for the exploits of the Moro di Venezia in theAmerica’s Cup.
But Gardini is not just that; he was the undisputed pioneer of sailing in the last century. We tell you about his epic, adventurous, fascinating, full of anecdotes, splendid boats, and men out of the chorus. Like the figure of the faithful sailor Angelo.

Raul Gardini
Raul Gardini

The story of Raul Gardini, undisputed sailing pioneer of the last century

It must have been supposedly around the time of Tangentopoli, actually no, a few years earlier.
It was cracking up.
The breakwater – just high enough not to let even a puff of the albeit oppressive libeccio show through – at Cala Galera didn’t give you a breath on that fiery midday.
What’s more, the splice had its own thing going for it: it didn’t want to know how to close even cursing worse than a Turk.
I had told my mother that I was a brothel manager: I was ashamed to say I was a rigger, a rigger in short.
I raise my head to unwind from the Rubik’s cube that is the splicing when I see beyond the high embankment of the dam, sunk in the Mediterranean haze, a tree, in fact two, no three trees even.
I say to myself, “I really drank too much tonight.”
I think I’m seeing things through my eyes: “…’but what is this, a rerun of the Bounty mutiny?”
Instead it was really 3 trees 3!
I say to myself, “1 tree tot money; 3 trees equals tot money times 3: bingo!”
I dream of getting rich making sculls & shrouds …poor fool!
Whereupon the Panasonic cell phone the size of a modern-day cordless phone rings, complete with handset and mobile base: on the phone is a customer who tells me if I feel like going aboard the 3 mast.
Of course I say yes!
Novello Scrooge I think of the money.
Once on our client’s dinghy (I find out that he is indentured to the owner of the “multi-masted thingy”) we point out the harbor mouth and begin to catch a glimpse of the transom: Puritan it says…a schooner designed by John Alden and built way back in 1929 in the USA.
We are talking about almost 40 meters of sailing ship not just any yacht nor for “any-anyone”: Arturo Ferruzzi, one of Serafino Ferruzzi’s four sons.
Serafino big shoes and fine brains moved always under the banner of the greatest understatement was one of the most important traders in the world ceralìc market: on his appearance at the Chicago stock exchange-goods would sound his sirens!
Given time at the tender’s selvedge – it looked like Fantozzi’s compared to Puritan’s monumentality – we board and are escorted downstairs to the dinette.

Puritan, the vintage sailing ship of Arturo Ferruzzi, brother-in-law of Raul Gardini
Puritan, the vintage sailing ship owned by Arturo Ferruzzi, Raul Gardini’s brother-in-law
It may have been the alcoholic spirits that had not yet subsided, but we thought we caught a glimpse of a Klimt on display: we would have to be Vittorio Sgarbi to ascertain the veracity of this and, above all, that we were clear-headed.
Having exchanged the customary pleasantries, our client bids farewell to the shipowner and we head back to port (me with my head in the sack, having not even taken an order for a mistress other than full rigging!).
At the dock my memory scrabbles like a breech of a weapon preparing to fire: the weapon of memory.
Count them, aboard the Moro II, twenty crewmen are on board. Raul Gardini, after the first maxi Moro in Venice, had an aluminum boat built for the first time in 1983. The design was once again entrusted to his designer of the heart, Argentinian German Frers. The boat was fine but Raul wanted more. So he had the mast changed from three spreaders to no less than five spreaders. With the new rig he won the Giraglia in both real and compensated time, beating the French favorites of Baron Rotschild's Gitana VII and Emeraude.
Count them, aboard the Moro II, twenty crewmen are on board.
Raul Gardini, after the first maxi Moro in Venice, had an aluminum boat built for the first time in 1983.
The project was once again entrusted to his designer of the heart, Argentinian German Frers.
The boat was fine but Raul wanted more.
So he had the mast changed from three spreaders to.
To as many as five spreaders.
With the new rig he won the Giraglia in both real and compensated time, beating the French favorites of Baron Rotschild’s Gitana VII and Emeraude.

The Moro adventure is born

So I find myself back in my hometown, Passignano sul Trasimeno, more or less mid-1980s at SAI AMBROSINI, a glorious aeronautical company founded by a very Milanese engineer precisely Angelo Ambrosini, but with “sailing” penchant, he made in 1973 the proto of the Brigand 36′ in aluminum (he would end up making Azzurra no less!).
There they are building Il Moro di Venezia, a maxi signed Frers and tremendously fractional whose tremendous loads literally made the winches of the steering wheels on deck “plow”.
The tails of the flywheels were pythons, anancondas, made of a killer metal/textile cable mix and the vang was with immense semi-circular rails on deck America’s Cup 12-meter style, or Star for short.
Of this beast, one remembers the resounding victory at the Maxi Worlds and King Raul of Ravenna donates a Rolex Submarine to each of the 28 crew members, other than expense reimbursement!

Raul Gardini, very elegant, at the helm of Moro di Venezia III. With this third Moro Maxi IOR finally, in San Francisco in 1989, wins the world championship of the class. At the helm in the regatta for the first time is the very young Paul Cayard. At the end of the world championship, the Californian Gardini summons Cayard, German Frers and trusted sailor Angelo Vianello to a bar. As Gardini himself recalled, it was at that moment that he made the decision to launch the America's Cup challenge. The name will be the same as the maxis, Moro di Venezia.
Raul Gardini, very elegant, at the helm of Moro di Venezia III.
With this third Moro Maxi IOR finally, in San Francisco in 1989, wins the world championship of the class.
At the helm in the regatta for the first time is the very young Paul Cayard.
At the end of the world championship, the Californian Gardini summons Cayard, German Frers and trusted sailor Angelo Vianello to a bar.
As Gardini himself recalled, it was at that moment that he made the decision to launch the America’s Cup challenge.
The name will be the same as the maxis, Moro di Venezia.
Let us remember that we are in the parts of a Raul Gardini who unabashedly declared, “the chemistry is me,” and certainly it was not the chi- mica of the old village pharmacy but rather the stratospheric, funambulistic maxi- merger between Montedison and ENI.
Moro then meant the 3rd of the Moors of Venice, nothing to do with the telegenic, photogenic, America’s Cup Moors to come, massively covered by the media.
On the journey back we find a Moro II, still a maxi, still Frers but masthead-rigged, with an aluminum hull and composite deck by the skillful hand of Marco Cobau and his Pesaro-based Officine.
The progenitor of this lineage was the Moro I made instead of wood by Carlini in the mid-1970s, again by Frers’s technograph.
To realize the firepower and recklessness of King Raul of Ravenna one has to cast one’s mind back and remember that the Lawyer King of Turin, Agnelli, went around with stylish but still ferrovecchi yachts – with the handbrake pulled – such as the Agneta and the Capricia (by the way, all bought used!) and the Bassanis themselves, those of the future Wally, barely had a “modest” 66-footer, the Phantom, when Gardini had brand-new rigs pawing and roaring, and what rigs! of quite a different size and performance!
Luca Bassani in 1975 brought the Mediterranean's first large maxi IOR to Italy, the 66-foot Phantom
Luca Bassani in 1975 brought the Mediterranean’s first large maxi IOR to Italy, the 66-foot Phantom
This Moor traverses the Atlantic (can you now think of a Rimini-Florida transfer! all done by sextant, GPS declared absent!) headed by Mike Birch, a true sailing outsider-approaching the sport very late but soon winning the first Route of Rum in 1978 with his insolent yellow-canary trimaran Olympus Photo.

Those of the Moor at the Fastnet

The Moor is very fast: he wins the Channel Race and participates in the dreadful and funereal 1979 Fastnet: almost two dozen dead, dozens and dozens of boats left adrift but he escapes well thanks to his size, the preparation of the crew that even then despite the fact that such big boats could be counted on the fingers of one hand – read general experience of the équipiers not very high – and the fact that when the weather front broke out the biggest and fastest yachts were hit on the slack after turning the damned cliff overhung by the equally damned Fastnet lighthouse (I who turned it in 1983 in “almost Mediterranean” weather still scares me).
In the crew we already find “belli & navigated” the likes of Lorenzo Loik and Gian Luca Nanni Costa at the bow; Tilli Antonelli – eternal cigar in his mouth – who will soon say goodbye to sailing with the classic “it was nice” to devote himself with enormous success to motor boating; Jeremy Barbuto, the only Englishman in the world who speaks Italian to act as navigator together with the wiry Francesco Longanesi Cattani – better known as Pimperle, with affectionately “proletarian” manners although he was an aristocrat! and in fact became aide-de-camp to Prince Rainier in Monaco as well as P.R.’s Prada Man in a Bertellian Cup – just back then from the sinking of Falck’s Guia in the middle of the Atlantic!
Also in the coven was Arturo Ferruzzi, yes, the very one from the Puritan but who wisely stayed away from the Fastnet.

Giorgio Falck's Guia was an opponent of Raul Gardini's boats in the 1970s
Giorgio Falck’s Guia was an adversary of Raul Gardini’s boats in the 1970s
At the Channel Race came aboard His Excellency John Marshall (thermonuclear scientist) long the right hand man of the divine Dennis Conner and then multiple America’s Cup winner.
Beware because as in a game of Chinese boxes Raul had a mini-maxi (they were then called “class A”) christened with irreverent iconoclastic Romagnolo spirit Rumegal (the bull member!), also Frers, with which he did the Middle Sea Race, the only race in the month of May, with resounding results.
A young German Frers in the 1980s
A young German Frers in the 1980s
Rumegal that ended up in the hands of another historical shipowner, Bruno Calandriello, now Dida VI, who had a Dida II from Carlini while the latter was doing the Moro I!

Angelo, the perfect sailor

Of that Wild Bunch lent to sailing – I will wrong some – the leading, prominent figure was Angelo Vianello, the Sailor with a capital “emme.
Of him Raul said in his seminal “My Way,” “learning I learned from many people […] from Angelo Vianello, my sailor, a character who knows the things of life and knows how to speak simple truths, but also very intelligent.”
And again, “A man too intelligent, of great soul and great common sense for the work he did. A man who could have done everything successfully if he had had different natures,” according to Gian Luca Nanni Costa.
Angelo had read Victor Hugo’s Les Misérables (Hugo pronounced it accented on the u) and was proud to tell you so, but he immediately confided-honored!
– that “Sor Raul” had lent it to him.

The stainless trio of the early 1970s: from left Angelo Vianello, Raul Gardini and Tilli Antonelli
The stainless trio of the early 1970s: from left Angelo Vianello, Raul Gardini and Tilli Antonelli
Domenico Modugno used to sing Sailors Women and Trouble and well Angelo embodied in what way the living archetype.
He used to say, “Mi go always had the most bele done in the ports, but mi go always pay!”
When he saw a beautiful woman with fabulous legs, he would mutter through clenched teeth, “Mmmhh, la gà una falcada….”
Angelo thus apostrophizes Gian Luca, who has the physique du role a bit Oxfordian and eyes that “son fari abbaglianti” as a pop song of those days, by Mal of the Primitives, used to say: “Beo … ti ga gli oci da gato … ti se furbo …” and then a long pause, and as he stares fixedly at the sea, he suddenly stares at Gian Luca again and says, “But remember! Mi and you, in culo a tutto il mondo … but ti in c*lo a mi, NO!”
Ravenna-Cowes transfer, Isle of Wight, Alboran Sea.

Mainemo, musi de mona!

Angelo sleeps, part of the transfer crew on deck, in the stern, with that 450-square-foot spi apartment, thanks to increasing wind and wave, gò-gò glides, the rudder in turn, calling out the knots of speed loudly.
Eight!
Nine!
One of them shouts, in rapid sequence Ten!
Eleven! etc. Angelo appears in a rush from below and snatches the rudder from those holding it, shouting, “Mainemo, musi da mona!”
They lower, all disappointed, the apartment.
However, in ten minutes, ten in number, they find themselves already with three-handed mainsail and small jib, jib-top #4 on shore, incredulous.
A storm of water, sea and wind!
Wisdom all in one man!
Arrival in Cowes, July 1979.
The Moor had just peeped into the Solent that here was Carlo Ferruzzi, the nautical photographer with ambitions of becoming the Carlo Borlenghi of the situation, as well as a relative of the family, coming to the reception in his offshore speedboat/racer.
Cowes, it is known, is not that amiable and fun as Saint Tropez.

The incredible semicircular rail of the Moor III, inspired by those of the Star
The Moro III’s incredible semicircular rail, inspired by those on the Stars
In the evening Carlo takes the crew out for a bite to eat in a pub, pulls out a book in which he collects sentences written by the racers.
He wants one from Angelo who, almost embarrassed, gets a suggestion to write a sentence about the people of Cowes.
Angelo looks at Gian Luca and asks him, “How se dise when one se palido, very palido, that you see that ghe lacks vitamins?”
To which, Gian Luca answers him with a question, not understanding where he is going with this, “You mean if one has avitaminosis?”
Angelo almost exults at the narrow escape and says, “Yes, if that! Come se dise?”
And Gian Luca again, “Avitaminosis….”
Then Angelo pronounces the fateful verdict: “Quei de Caos, i s’è piutosto brutini e avitaminosi….”
Angelo – you won’t believe it – walked around with a real funny shopping bag, a woman’s straw shopping bag, and I assure you that he carried it without any affront to his manhood.
A Great Little Man indeed this Angelo.

The court of miracles

The Past is Past let us leave it alone then.
It hangs over us like a boulder though, like an asteroid that we do not see but feel its magnetic pull.
The Present is here and now.
Gone are the days of the white hand of Brookes & Gatehouse analog instruments now going big (?) with tablets.
From these monitors we see darting around like so many Willy Coyote “Flying Flies” that some call “boats” and occasionally crash hard as any Willy Coyote of rank does, into a Sail Time designed by the men of Startrek.
Meanwhile, Ivan Gardini, Raul’s son, brought to his stable the Naif, a jewel out of the pencil of Dick Carter, who also raced the Admiral’s Cup, an evolution of another Carter design, that Orca 43’which saw the debut in shipbuilding (under the name of C.N. Sailboard) of the Grand Old Man of production boats, that Giuseppe Giuliani, none other than Mister Cantiere del Pardo for decades as well as a relative of the Ferruzzi family.

Raul Gardini in 1973 on the Naif with which he participated in the Admiral's Cup in England
Raul Gardini in 1973 on the Naif with which he participated in the Admiral’s Cup in England
Of the Court of Miracles-the one that buzzed well around a certain entrepreneurial political public coterie in its heyday in the 1980s-few vestiges and even fewer memories remain.
Massimo Gatti, who passed away not so long ago, had taken a maxi from the Gardini stable and, defying ill fortune, renamed it Vanitas (a more appropriate name could not have been chosen for those years), perhaps antivedent of his descent into the world of photographic ephemera: in time he became a highly quoted fine art photographer, a funny contrast to his quintessential merchant banker as well as for years the main shareholder of Raggio di Sole, an animal nutrition company that ended up – as chance would have it!
– in the clutches of one of the Seven Sisters of the Grain, a true global trust, the American Cargill to which Raul had dedicated these flamboyant sentences: “I got very angry with the representatives of the American companies in Europe, because they did not intend to have plant depreciation included in the calculation. The American multinational company if it can ruin you. […] At that time we had a tough arbitration with Cargill, the multinational showed a strong enmity towards us.”

Raul Gardini’s students

Bizarre life…
Prospicent to Gatti’s offices was the eagle’s nest, that Gianni Varasi, also long since departed, to the world of most, owner of that maxi Longobarda–again a creature of the Umbrian SAI AMBROSINI–by Bruce Farr who dared to slap the Moor III soundly!
The pupil, Varasi, who became better than the master.
That Varasi with that exquisitely self-made man dad who went from head-warehousekeeper of Meyer Paints to owner of it (the famous Max Meyer paints) always in battle with his progressive son, great 8 friend of Giorgio Bocca, but above all ally of Raul’s moment when it came to think “three meters above the sky” climbing Montedison with all that ensued later.

Respect for tradition

Stories from other times.
A very few years ago some people swore and perjured that they caught a glimpse of Carlo Sama, Raul’s close relative, helming a Wally but maybe it was just a B-movie, the fact remains that the Passion of Sailing infused by King Raul of Ravenna will remain indelibly in our eyes and a little in our hearts as well.
As the Art Ensemble of Chicago (not exactly those from the Chicago Commodity Exchange!), an angry free-jazz group, used to say, “Ancient to the Future,” roughly speaking, “There is no Future without respect for Tradition.”
How can you blame them? Free adaptation of a true story by Danilo Fabbroni

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